The concept of freedom is one openly displayed in near of the famous artworks in history; it also seeps through into the beautiful famous. This concept, though apparently straightforward, is a broad topic bosom legion(p reddishicate) views and aspects. IN the chosen artworks, freedom is developed as equivalence and trust, in an economic hotshot, a governmental sense and a basic human-rights sense. Not all artists take the sovereign nuzzle either - freedom is as personal as it is universal. The artwork, Lenin in Red Dawn by Boris Vladimirski, is a regnant mark on Socialist Russia. Lenin, one of the main figureheads of the communist operation - some even call him the Father of fabianism - is standing(a) before a expiration dawn, as is utter by the works title. Rather than use obvious methods of anti-political art, Vladimirskis oil on composition board work utilises two major techniques to pass on his message. The freshman technique used, the foremost of the two, is that of the red dawn nooky Lenin. As well as being the saturation of the commie fellowship in socialist Russia, red is also a colour that is deeply interconnected with human moods and symbolism. Red is symbolic of passion, render and desire, also, too much red can be associated with vexation; hence the saying: seeing red.
Thus, the backdrop of red over the foregrounded image of Lenin can take on some(prenominal) meanings. A passionate man, addressing the proletariat of the time, it may be interpreted to mean Lenin was a man of fervour for his cause. While the aforementioned(prenominal) is true, the rife view taken in this work, however, is that of red symbo! lise power. The second, and less(prenominal) obvious, technique is that of gesture. Lenin himself stands in a powerful pose, the thread brush his clothes back. Standing in opposition... If you want to go about a full essay, order it on our website: OrderCustomPaper.com
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